ART AT THE CENTER OF THE EARTH
We believe that art has the power to help us realize a creative, flourishing society. Over the years as we have continued to deliver our art-based learning program, EGAKU, this belief has become a firm conviction. Our 2007 vision map outlines our vision for a circular model of society powered by art – art which develops the creative potential of all people and the whole of society. We hope to work towards the creation of a sustainable world through our various projects, adopting a systems approach in our work and by sharing our cutting edge art-based learning method with the world.
Founders' Messages
Message from Kimi Hasebe
Towards a 21st Century Renaissance:
from art - a new vision of society
As someone who spent my high school years in Japan in the 1980s, I was deeply pained by the news about school violence and horrifying domestic violence involving children of my age. “Why do we keep fighting one other?” “Surely human beings are born to pursue our own happiness, so why do we make choices that make us unhappy?” - these were the kinds of questions that were constantly on my mind.
Reading Capra’s book in my twenties was a revelation, shedding a ray of light on these questions that had troubled from my teenage years. In this volume, Capra writes about issues related to medicine, the limits of economic models, environmental pollution and the causes of social unrest from his standpoint as a physicist. Across 700 pages he lays out problematic psychological approaches which neglect the true possibilities of the human spirit and predicts that we are headed for a paradigm shift – a dramatic shift in values and worldview.
I have to confess I no longer remember all the details, however, when I saw a chart showing the process of social transformation – of the old social values gradually decaying, and a new worldview and mindset taking its place - I was stunned by the realization that this turning point was indeed imminent. In that moment I decided that I would be part of this social transformation, that I would work towards this new vision of reality - embracing this new worldview and living these values.
In the 15 years that followed, driven by a desire to understand the world from a systems perspective I sought to understand the external system, the world around me by voraciously reading books on psychology, sociology, religion, economics. I also sought to gain a deeper understanding of my own inner system, and over the years I synthesized what I learned, refining and testing my ideas through my work and research. However, far from finding signs of this social transformation, amidst the turbulent events of the time - the Gulf War, the collapse of Japan’s economic bubble, the Tokyo subway sarin attack – I began to feel a deep sense of despair as I struggled to see a way out of the status quo. The paradigm shift I had eagerly anticipated in the 21st century seemed no where in sight.
In the midst of all this, I started painting. You could say I was saved by painting. Of course I didn’t think that painting pictures would solve the complex challenges of our time, however, looking back on this time in my life I realize that it was something I needed to do for myself. It was a way of tuning into my bliss. My paintings caught the eye of a friend, one thing led to another and I ended up showing my works at a small exhibition - and this is how I met the co-founder of White Ship, Kunihiko Yazawa.
When I met Yazawa I was immediately struck by his ability to transform a concept into an idea and then to give shape to his idea as a tangible output at breathtaking speed. “Making ideas reality” - I felt that this gesture, the creative act, could be the key to solving the big problems of our time I had been thinking about all these years. Even after White Ship’s founding, I have never ceased to be surprised by his boundless stream of ideas and creativity, his ability to bring his ideas to life as well as the philosophy underlying his art practice and the sheer breadth and richness of his creative expression. As our enterprise has continued to grow, my initial intuition that his immense talent and ideas as an artist could contribute to the transition to a sustainable world became a firm conviction. This is my founder’s story.
Today, our programs based on the art-based learning method, EGAKU® which lies at the heart of our work, have reached over 26,000 participants from corporates to schools. Our work with corporates provides impactful solutions to help organizations reskill their workforce - updating employees’ mental operating systems and equipping them with the mindsets and skills increasingly required to thrive in an uncertain and changing world. Meanwhile, our non-profit arm, ELAB has been working to update education for the 21st century by bringing creative learning to classrooms across Japan. ELAB continues to expand its impact as it works with education researchers and teachers to bring creative learning into classrooms by delivering programs for students based on the EGAKU method for learners at different stages of development from children to young adults, as well as creative learning programs for teachers.
Over 20 years has passed since we founded White Ship in 2001, and we are proud of the progress we have made in our mission to solve the challenges of our time through the power of art – a mission many would doubtless call crazy. This would not have been possible without all the passionate friends, supporters, partners we have been blessed with along the way. My heartfelt gratitude to everyone who has been part of this journey.
As we look towards the world in 2050, our challenge over the next 10 years will be to harness the power of cutting-edge technologies to scale our work globally, towards a sustainable world of human flourishing. We hope you will join us as we embark on this new chapter at White Ship.
Message from Kunihiko Yazawa
Co-Founder and Chief Visionary & Creative Officer
Throughout the ages, till this day artists have lived and continued to create works - in some ages shaping history, in others becoming swept up in the tide of history. While the modes of expression have changed since we began drawing some tens of thousands of years ago, art has never disappeared from human history.
This fact suggests that despite the tendency to view art as something special, as the monopoly of artists and the privileged few, art is intimately connected with who we are as humans - our desires, hopes, dreams and evolution. It also implies art has an important role to play in our lives and in the world.
What is the meaning of art? What is it for?
What is art?
I founded White Ship with Kimi Hasebe in an attempt to find my own answers to these questions. I wanted to understand how art can create meaningful change in the world. White Ship is an attempt to take the world as my canvas to explore new expressions and ideas of what art can be, and is part of my art practice.
In the world we live in today we are faced with many challenges, and I believe that art can play a critical role in helping us find solutions or at least offer us clues to finding new ways to confront these challenges. I think that the role of art as a borderless communication tool that transcends race and nationality will also become increasingly important. I believe that our art practice and the art of the future can help us create a beautiful future. This is what I believe. This is my hope.
Our Work
Art Management
Creative Learning
Organizational Development Consulting
Our Team
Kimi Hasebe
Co-Founder | Chief Executive Officer
Born in Tokyo, Japan. Kimi aspired to become a social entrepreneur in her 20s and founded White Ship in 2001 with the artist, Kunihiko Yazawa. She has explored the possibilities of art considered from the viewpoints of both artist and audience, and developed the art program, EGAKU®, for a variety of organizational contexts and needs. Kimi set up White Ship’s organizational development practice, designing and implementing creative development and leadership development programs for senior executives, managers and young leaders and supporting organizations through EGAKU and communication design. To date, she has worked with over 200 companies. As director of 9201 Gallery she also curates exhibitions and is also actively involved in ELAB’s work in school education.
Kunihiko Yazawa
Co-Founder | Chief Visionary & Creative Officer
Born in Shizuoka, Japan. Kunihiko Yazawa is an artist based in Tokyo. After graduating from the Bunka College of Fashion, he taught at the college from 1985-1990. He won a number of fashion design competitions in Japan and was awarded the Grand Prix at the International Textile Design Competition for his original textile creation. He taught as a part-time lecturer at the spatial design department of the Musashino Art University (1989-2006) and worked on various spatial design projects including stage set design. He began his art practice in 1994, in addition to painting and his object-making practice he also works on various art projects. In 2022, he published his first monograph - a comprehensive survey of his entire practice - KUNIHIKO YAZAWA Complete Works 1994-2021.
Ryoko Maria Nakamura
Chief Global Learning & Strategy Officer
Born in London, UK. Ryoko joined White Ship in 2013 and heads global projects and leads our programs for multinationals and global organizations. She is passionate about exploring the role of art in human development in all its dimensions. Prior to joining White Ship, Ryoko worked in various global investment management roles in Hong Kong, New York, London and Tokyo at Goldman Sachs, TPG Axon and Deutsche Asset Management where she focused on sustainable investments in Asia. Ryoko holds a Master of International Affairs degree from Columbia University School of International and Public Affairs and read Politics, Philosophy and Economics at the University of Oxford.
Mari Mori
Manager & Creative Learning Director, Corporate Solutions
After completing her undergraduate studies at Meiji University School of Commerce, Mari joined Nippon Boehringer Ingelheim as a medical representative. She subsequently worked in corporate sales the clinical research organization, Mebix and consulted for pharmaceutical companies at health-tech company, MedPeer. Mari holds an MBA from Globis University and is currently studying coaching. Mari joined White Ship in 2023 and hopes to use her own experience of transforming her life and career, to support people and organizations on their journey of transformation and growth.
Misako Ishii
Creative Learning Director, Corporate Solutions
After graduating from Keio University, Misako worked at a consulting firm, leading project management for new business development and system implementation projects for major corporations. Her involvement in a talent and organizational development project in collaboration with White Ship led her to experience firsthand the richness of art-based learning, and she joined White Ship in 2018. She is responsible for the design and development of corporate programs, while also leading education-related initiatives at ELAB, the organization’s social impact division. She is currently focused on building a creative learning ecosystem that connects education, academia, and the corporate sector.
Corporate Responsibility
Through our partnership with ELAB, White Ship supports creative learning experiences for school-age children, university students, youth, as well as educators and local communities. We also support ELAB’s research on creative learning and collaborations and exchanges with institutions and learning practitioners in Japan and around the world.
ELAB is a Japan-based non-profit that was spun out of White Ship in 2011.
History
| 2001 | Artist Kunihiko Yazawa and Kimi Hasebe found White Ship with the mission to create a world of human flourishing through the power of art |
| 2002 |
Kunihiko Yazawa starts EGAKU as a participatory art project working with elementary school children (original project name: "Heart Letter") Kunihiko Yazawa starts the Vision Art project |
| 2006 | White Ship moves to a new office and studio space in Akasaka, Tokyo |
| 2007 |
White Ship begins running regular EGAKU open sessions for adult participants |
| 2009 |
White Ship launches organizational and talent development practice based on the EGAKU method |
| 2011 |
White Ship founds the Institute of Communication Art (IOCA), ELAB's predecessor, as its nonprofit arm to support education programs "Art for Wish" initiative launched in support of reconstruction efforts in the aftermath of the Great East Japan Earthquake |
| 2013 | White Ship moves to a new office in Moto-Akasaka, Tokyo and opens 9201 Gallery |
| 2016 | Kunihiko Yazawa establishes his atelier in Tokyo |
| 2019 |
To enhance social impact activities, IOCA transitions to a new corporate structure, ELAB with a revised business model |
| 2020 |
ELAB awarded 3-year grant by the Mitsubishi Memorial Foundation for Educational Excellence Launch of online version of EGAKU open sessions |
| 2021 |
EGAKU achieves milestone of 20,000 total participants White Ship's 20th Anniversary Exhibition - "画 - KUNIHIKO YAZAWA Elements" held at 9201 Gallery White Ship partners with Nihon Rikagaku Kogyo to develop own brand of pastels to support the sustainability of EGAKU Launch of EGAKU Global Sessions - an online project to reach participants from all over the world |
| 2023 |
ELAB receives the Award for Good Practice from the Mitsubishi Memorial Foundation for Educational Excellence and grant funding is extended by 3 years Kunihiko Yazawa's monograph "KUNIHIKO YAZAWA Complete Works 1993-2021" published to mark White Ship's 20th anniversary |
| 2024 |
OECD (Paris, France) implements an EGAKU workshop at the Directorate for Education and Skills, recognizing that creativity in the workplace is just as important as creativity in schools |
| 2025 | ELAB transitions leadership from representative director Kunihiko Yazawa to Misako Ishii |
Company Profile
| Corporate name | White Ship, Inc. |
| Address | 6F Terasawa Bld., 1-7-17 Motoakasaka Minato-ku, Tokyo 107-0051, Japan |
| Date established | January 1, 2001 |
| Affiliate | ELAB (spun out of White Ship in 2011) |
| Related websites | EGAKU >> Kunihiko Yazawa official website >> ELAB >> |
| Media and speaking enquiries | Enquiry form >> |
Access
White Ship, Inc.
-Office & 9201 Gallery-
6 minute walk from Ginza/Marunouchi Line Akasaka-mitsuke Station Exit B
6 minute walk from Yurakucho/Hanzomon/Namboku Line Nagata-cho Station Exit B
15 minute walk from Ginza/Hanzomon/Oedo Line Aoyama Itchome Station Exit 2